Hello all,
Try this 2-5-1 out.. it may only be a few notes but
it sounds great. These are rootless voicing meaning that the root of
each chord is not being playing in either the LH or the RH so you could
use these chords with either a bass player or when the organist is
running bass.. I would use these chords during a slow song.. it has a
that type of sound to me.
To get the sound if rootless voicing
are new to you... play the bass note (BN) and use the sustain pedal to
hold the bass note then move up the piano to play the chords...
You'll be in the key of C
Dm / G / C
BN/LH/RH
D/FC/EA
G/FB/EA
C/EA/DG
Now to the key of Db
Ebm / Ab / Db
BN/LH/RH
Eb/GbDb/FBb
Ab/GbC/FBb
Db/FBb/EbAb
Keep
going until you get to Gb, now play the 2-5-1 progression this way when
you get to key of Gb (this voicing will help you stay in the same range
on the keyboard as you're changing keys... keeping the chord changes
smooth...)
Key of Gb
Abm / Db / Gb
BN/LH/RH
Ab/GbCb/EbBb
Db/FCb/EbAb
Gb/EbBb/DbAb
Now to key of G
Am / D / G
BN/LH/RH
A/GC/EB
D/F#C/EB
G/EB/DA
Continue
to Cb and you've done you're 2-5-1 in every Major key!!! These are
great voicings to use in group settings when the piano is not the only
instrument.
![]() |
Orca :: Interactive Forum Script
A Typical 2-5-1 Turnaround
- Message
|
|
Copyright © 2010 Got Phat Chords.
Design by FlashDaWeb






